Neoclassical Music ⁞ New Releases⁞ Artist Interviews⁞ Music News
Introduction of Neoclassical Music
Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.
The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire
Favorite Neoclassical Music on Spotify
Favorite Neoclassical Videos on Youtube
Recent Neoclassical Interviews
Maria Grönlund Interview on Nagamag
.
Nagamag:
What are the genres that describe better your music style?
Maria Grönlund:
Neo-Classical, Modern Classical, Contemporary Classical
Nagamag:
Few words about your musical background and career?
Maria Grönlund:
You may know Stockholm’s Maria Gronlund from her weekly live stream ‘Meet Me At The Piano’ on Facebook. Or from her debut album ‘Songs of a Sad Sailor’, which was a Spotify Classical Pick. Or even from her short collection last Autumn called ‘Colors of my Mind: Pt. 1’, which was the first of three releases that will go to make up her next LP ‘Colors of my Mind’. Part 2 of the collection is nearly upon us with three pieces of neo-classical imagination due later this month.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Maria Grönlund:
There was a lot of music and singing in my family, and I was five or six years old when we inherited a big, black, shiny piano from my grandfather. My mother had always dreamed of learning how to play the piano, and she found us an Austrian piano teacher named Helga, who taught us both to play in her house. I was tiny, and I got my lessons at a brown piano in her basement, and then I stood and peeked into the living room with the two grand pianos standing opposite each other, while my mom got her lesson. I was totally fascinated by the instruments and imagined they were like fairy tale ships to another world, since they gave out such amazing sound. I've been in love with the piano ever since.
Nagamag:
Tell us more about the project you're working on right now!
Maria Grönlund:
I'm in the midst of a project called 'Colors of my mind', which will culminate in a full album released both digitally and physically, and with an online album experience which will feature the creation process of the music and all the art involved. Artwork merch will also be an important part of this project.
It all originates from a lengthy, filmed joint improvisation I made together with an artist, Madelene Egerfält, where she painted what she heard me play and i played what I saw her paint. We both came into a state of flow and had a really intense experience. The painting is just amazing, and I feel it depicts both her and me, and the situation it was created in.
I've used the musical material from this occasion and built it out to ten piano pieces that I release in three rounds. EP Colors of my mind Pt.1 was released in the late fall, Pt.2 now in March, and Pt.3 and thus the full album is planned for late spring/early summer this year.
Nagamag:
What's the ethos behind your music?
Maria Grönlund:
I feel so rich having music in my life. It helps me cope with stress and difficulties. I often play to calm myself down and to sort my thoughts and feelings out. My vision is to share the feeling of relief and joy I get from playing with people who might need it.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Maria Grönlund:
Imogen Heap "Earth"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Maria Grönlund:
Poppy Ackroyd "Time"
Jaap Mol Interview on Nagamag
.
Nagamag:
What are the genres that describe better your music style?
Jaap Mol:
My main genre is neo classical. But I tend to expand it to ambient electronic music with some beats where I feel they add something to the music.
Nagamag:
Few words about your musical background and career?
Jaap Mol:
I started taking classical piano lessons when I was about 6 years old. I don't exactly remember why it were piano lessons and not another instrument, but I kept playing for years. I even played church organ for while, but discovered I'm way more inspired by a piano.
When I was around 15 years old, I discovered punk bands and that was all I wanted to play from that point on. So I bought a bass guitar, started a band and quit my piano lessons when I was 18. Since then I played in all kinds of bands, mostly pop punk, but also bands inspired on those really cool emo core bands from the zeros which I still love.
But when I finished my study, that musical environment dried up and so did the bands. I went back to my keys, sang in a a capella group and worked on some music on my own but never really got back to it; life happened and I got a job as a teacher. Back then I thought I'd never do any serious music at all ever again.
But then a friend of mine started a band and needed someone to play keys and that's how I got back into music. It worked out really well and I started playing in bands again, but this time no punk and bass guitars, but keys in pop, pop-rock and electro pop bands.
Meanwhile I discovered that my love for pop music and my interest in quiet piano and string music could be mixed pretty good and I started experimenting with what turned out to be the neo classical ambient music I create now. But I am always tempted to try new styles and experiment with other genres. Right now, for example, I worked on a live show for which I remixed all my tracks into an ambient electronic hybrid DJ-set.
That's what I love about music the most; I get bored quite easily, but never with music. It's an endless source of inspiration.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Jaap Mol:
I think, funnily enough, that first feeling when I heard a punk track on the radio has been one of the most important moments to spark my music career. I waited for weeks, glued to the radio, to record that one song to tape, because I never heard anything like it. That was a really important moment, because that was when I realised that it was actually possible to create something myself.
Nagamag:
What inspires you to create new music?
Jaap Mol:
Everything I create in music always starts with a sound I love. That can be the sound of a beautiful old piano, something I come up with when tweaking a synth, or just a sample from a plugin in my DAW.
I'm not a very technical player, and at first I saw that as a limitation. But I learned that to be really creative, you have to set boundaries and limitations, and mine forces me to really dive into a sound I love, and create something beautiful from that. I'm embracing that now, and I'm really happy with how it turns out.
Nagamag:
What does your creative process look like?
Jaap Mol:
I like to do a lot by myself. I'm kind of a control freak, so when I didn't find what I wanted to create elsewhere, I wanted to master the whole process. I compose and produce while writing, just like pop records.
Sometimes I ask other studios for help because they have better equipment, but most parts I record at my own place. I like to do the mixing myself as wel, because a lot of mixing happens during the production.
I like to work with concepts for my music, so that's why I prefer to do al the artwork, photography and video's myself as well. To master all theses parts of the creative process takes a long learning curve, but I like to be curious and just love discovering new things to improve. It's an infinite playground.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Jaap Mol:
Sufjan Stevens "A Little Lost"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Jaap Mol:
Jon Hopkins "Echo Dissolve"
Neoclassical Features
White Angel – Karen Salicath
“Mesmerizing and incredibly calming atmosphere of this piano beauty engage deeply within first notes. Harmonic structure and composition is done in a beautiful way, reminiscing the movie themes with its depth that can be felt within this blissful keys. ”
-Nagamag.com
Expand to read review translations *
“Η μαγευτική και απίστευτα ήρεμη ατμόσφαιρα αυτής της ομορφιάς του πιάνου εμπλέκονται βαθιά στις πρώτες νότες. Η αρμονική δομή και σύνθεση γίνεται με όμορφο τρόπο, αναπολώντας τα θέματα της ταινίας με το βάθος που μπορεί να γίνει αισθητό μέσα σε αυτά τα μακάρια πλήκτρα. ”
-Nagamag.com
“La atmósfera fascinante e increíblemente relajante de esta belleza de piano se involucra profundamente en las primeras notas. La estructura y composición armónicas están hechas de una manera hermosa, recordando los temas de la película con la profundidad que se puede sentir dentro de estas maravillosas claves. ”
-Nagamag.com
The original review of “Karen Salicath – White Angel” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Karen Salicath” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “White Angel”, an extraordinary creation of harmony and creativity that “Karen Salicath” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Karen Salicath – White Angel”. What also sets this song among the featured choices of Nagamag is the way that “White Angel” is enriched with Piano characteristics. “Karen Salicath – White Angel” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “Karen Salicath – White Angel” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “Karen Salicath”, providing music reviews and music discoveries like “White Angel”.
This music post about song “White Angel” by “Karen Salicath” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Karen Salicath” and more Neoclassical, Piano songs like “White Angel” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “Karen Salicath – White Angel” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
La última experiencia – Juan Pablo Fernández Ramos
“Serene and very beautiful ethereal melodies and gentle textures with this enchanting and soothing composition. Its harmonic structure brings depth of emotions with every sound. Enchanting and perfect progression will bring you closer to the realm of tranquility and inner peace. ”
-Nagamag.com
Expand to read review translations *
“Γαλήνιες και πολύ όμορφες αιθέριες μελωδίες και απαλές υφές με αυτή τη μαγευτική και καταπραϋντική σύνθεση. Η αρμονική του δομή φέρνει βάθος συναισθημάτων με κάθε ήχο. Η μαγευτική και τέλεια εξέλιξη θα σας φέρει πιο κοντά στο βασίλειο της ηρεμίας και της εσωτερικής γαλήνης. ”
-Nagamag.com
“Melodías etéreas serenas y muy hermosas y texturas suaves con esta composición encantadora y relajante. Su estructura armónica aporta profundidad de emociones con cada sonido. Una progresión encantadora y perfecta te acercará al reino de la tranquilidad y la paz interior. ”
-Nagamag.com
The original review of “Juan Pablo Fernández Ramos – La última experiencia” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Juan Pablo Fernández Ramos” (Spain) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “La última experiencia”, an extraordinary creation of harmony and creativity that “Juan Pablo Fernández Ramos” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Juan Pablo Fernández Ramos – La última experiencia”. What also sets this song among the featured choices of Nagamag is the way that “La última experiencia” is enriched with Cinematic characteristics. “Juan Pablo Fernández Ramos – La última experiencia” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “Juan Pablo Fernández Ramos – La última experiencia” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “Juan Pablo Fernández Ramos”, providing music reviews and music discoveries like “La última experiencia”.
This music post about song “La última experiencia” by “Juan Pablo Fernández Ramos” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Juan Pablo Fernández Ramos” and more Neoclassical, Cinematic songs like “La última experiencia” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “Juan Pablo Fernández Ramos – La última experiencia” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
Latest Neoclassical discoveries
Song for the Village – Federico Albanese
Οι απαλές και διακριτικές νότες της μελωδίας μου ψιθυρίζουν όμορφα λόγια. Οι νότες του πιάνου στροβιλίζονται γύρω μου σαν πολ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #ambient #federicoalbanese #italy #nagamag #musicmagazine #musicreview #review
A New Life – Lars Chr. Karlsson
Το πρωινό φως της μέρας τρυπώνει μέσα από τις γρίλιες του παραθύρου μου και η όμορφη μελωδία δροσίζει το πρόσωπο μου. Η δύνα... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #cinematic #epicmusic #ambient #larschrkarlsson #germany #nagamag #musicmagazine #musicreview #review
Unbound – Maryam Mirbagheri
Μια νότα χαράς με διαπερνά με αυτή την υπέροχη μελωδία .Οι νότες του πιάνου αμφιταλαντεύονται ανάμεσα στην χαρά και την λύπη ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #cinematic #epicmusic #crossoverclassical #maryammirbagheri #unitedstates #nagamag #musicmagazine #musicreview #review
A Room Full of Memories – Volker Hoffmann
Η νοσταλγική μελωδία γεμίζει με εικόνες το μυαλό σου. Όσα θες να διώξεις είναι εδώ και όλα όσα θες να θυμηθείς έρχονται. Οι ν... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #volkerhoffmann #germany #nagamag #musicmagazine #musicreview #review
The Wait – Marcus L.P
Интригующая композиция, которая погружает слушателя в мир нео-классической и амбиентной музыки. Мягкие, словно прикосновение ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #ambient #marcuslp #denmark #nagamag #musicmagazine #musicreview #review
Secret Mask – Albert Stensen
Η υπέροχη μυστηριακή μελωδία διαπερνά το μυαλό και με την επιβλητική της παρουσία αναστατώνει την ψυχή. Η μελαγχολία της κατο... >>> Read full review & listen to the song on Nagamag #cinematic #nagamag #musicmagazine #musicreview #review
A Special Place – E. Sousa
Η αρμονία της μελωδίας και οι λεπτοί της ήχοι είναι τόσο συγκινητικοί, ενώ παράλληλα επιβάλλεται στο χώρο. Το μόνο που μπορεί... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #cinematic #epicmusic #classicalstrings #esousa #portugal #nagamag #musicmagazine #musicreview #review
Slow Burn – Colin Zundel
Απαλά και ήσυχα η μελωδία μας διαπερνά και παιχνιδιάρικά κάνει την ψυχή μας να γελά. Χοροπηδά ανέμελα σαν μικρό παιδί και σκο... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #colinzundel #unitedstates #nagamag #musicmagazine #musicreview #review
little bird – molly leach
Μέσα στην ησυχία του όμορφου τοπίου, υπέροχες νότες ξεπηδούν και στολίζουν την μέρα. Τα ανήσυχα βήματα της μελωδίας κόβουν σ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #experimentalelectronic #mollyleach #unitedstates #nagamag #musicmagazine #musicreview #review
Difference between Classical and Neoclassical Music
Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.
Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key differences between classical and neoclassical music include:
Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.
Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.
Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.
Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.
Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.
Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.
The most used instruments in Neoclassical Music
In neoclassical music, the most common instruments used are those found in the classical orchestra, including:
Strings: Violin, viola, cello, double bass
Woodwinds: Flute, oboe, clarinet, bassoon
Brass: Trumpet, French horn, trombone, tuba
Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle
Keyboard: Piano, harpsichord
These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.
It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.
Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.
One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.
In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.
It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.