Music Genre

Isle’r – With the Wind (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“No pompous crescendos, the composition sounds restrained, transparent and laconic. A fragile, almost weightless as wind travel along the native land of the composer.”

“Никаких помпезных крещендо, композиция звучит сдержанно, прозрачно и лаконично. Хрупкое, почти невесомое как ветер путешествие по родным краям композитора.”

-Nagamag.com

Artist shared few words with us behind his inspiration for this music:

"I wrote this song just as COVID began to ravage NYC, having no idea we would still be living under its shadow one year later. I happened upon a patch of beautiful, blooming flowers on a path off the Hudson River in a windstorm. They were swaying and bending but never breaking, and I'm hoping this music will help people enter into the peace and beauty of flowers moving with the wind - bending yet not breaking - defiant and resolute despite it all." - Isle'r

www.instagram.com/isler_nyc

Maria Grönlund Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |

.


Nagamag:
What are the genres that describe better your music style?

Maria Grönlund:
Neo-Classical, Modern Classical, Contemporary Classical


Nagamag:
Few words about your musical background and career?

Maria Grönlund:
You may know Stockholm’s Maria Gronlund from her weekly live stream ‘Meet Me At The Piano’ on Facebook. Or from her debut album ‘Songs of a Sad Sailor’, which was a Spotify Classical Pick. Or even from her short collection last Autumn called ‘Colors of my Mind: Pt. 1’, which was the first of three releases that will go to make up her next LP ‘Colors of my Mind’. Part 2 of the collection is nearly upon us with three pieces of neo-classical imagination due later this month.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Maria Grönlund:
There was a lot of music and singing in my family, and I was five or six years old when we inherited a big, black, shiny piano from my grandfather. My mother had always dreamed of learning how to play the piano, and she found us an Austrian piano teacher named Helga, who taught us both to play in her house. I was tiny, and I got my lessons at a brown piano in her basement, and then I stood and peeked into the living room with the two grand pianos standing opposite each other, while my mom got her lesson. I was totally fascinated by the instruments and imagined they were like fairy tale ships to another world, since they gave out such amazing sound. I've been in love with the piano ever since.


Nagamag:
Tell us more about the project you're working on right now!

Maria Grönlund:
I'm in the midst of a project called 'Colors of my mind', which will culminate in a full album released both digitally and physically, and with an online album experience which will feature the creation process of the music and all the art involved. Artwork merch will also be an important part of this project.
It all originates from a lengthy, filmed joint improvisation I made together with an artist, Madelene Egerfält, where she painted what she heard me play and i played what I saw her paint. We both came into a state of flow and had a really intense experience. The painting is just amazing, and I feel it depicts both her and me, and the situation it was created in.

I've used the musical material from this occasion and built it out to ten piano pieces that I release in three rounds. EP Colors of my mind Pt.1 was released in the late fall, Pt.2 now in March, and Pt.3 and thus the full album is planned for late spring/early summer this year.


Nagamag:
What's the ethos behind your music?

Maria Grönlund:
I feel so rich having music in my life. It helps me cope with stress and difficulties. I often play to calm myself down and to sort my thoughts and feelings out. My vision is to share the feeling of relief and joy I get from playing with people who might need it.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Maria Grönlund:
Imogen Heap "Earth"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Maria Grönlund:
Poppy Ackroyd "Time"

Discover & Listen to Maria Grönlund

Maria Grönlund on Spotify

Maria Grönlund's Signature Track

Maria Grönlund on Social Media

Maria Grönlund's Website

Jaap Mol Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |

.


Nagamag:
What are the genres that describe better your music style?

Jaap Mol:
My main genre is neo classical. But I tend to expand it to ambient electronic music with some beats where I feel they add something to the music.


Nagamag:
Few words about your musical background and career?

Jaap Mol:
I started taking classical piano lessons when I was about 6 years old. I don't exactly remember why it were piano lessons and not another instrument, but I kept playing for years. I even played church organ for while, but discovered I'm way more inspired by a piano.
When I was around 15 years old, I discovered punk bands and that was all I wanted to play from that point on. So I bought a bass guitar, started a band and quit my piano lessons when I was 18. Since then I played in all kinds of bands, mostly pop punk, but also bands inspired on those really cool emo core bands from the zeros which I still love.

But when I finished my study, that musical environment dried up and so did the bands. I went back to my keys, sang in a a capella group and worked on some music on my own but never really got back to it; life happened and I got a job as a teacher. Back then I thought I'd never do any serious music at all ever again.

But then a friend of mine started a band and needed someone to play keys and that's how I got back into music. It worked out really well and I started playing in bands again, but this time no punk and bass guitars, but keys in pop, pop-rock and electro pop bands.

Meanwhile I discovered that my love for pop music and my interest in quiet piano and string music could be mixed pretty good and I started experimenting with what turned out to be the neo classical ambient music I create now. But I am always tempted to try new styles and experiment with other genres. Right now, for example, I worked on a live show for which I remixed all my tracks into an ambient electronic hybrid DJ-set.

That's what I love about music the most; I get bored quite easily, but never with music. It's an endless source of inspiration.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Jaap Mol:
I think, funnily enough, that first feeling when I heard a punk track on the radio has been one of the most important moments to spark my music career. I waited for weeks, glued to the radio, to record that one song to tape, because I never heard anything like it. That was a really important moment, because that was when I realised that it was actually possible to create something myself.


Nagamag:
What inspires you to create new music?

Jaap Mol:
Everything I create in music always starts with a sound I love. That can be the sound of a beautiful old piano, something I come up with when tweaking a synth, or just a sample from a plugin in my DAW.
I'm not a very technical player, and at first I saw that as a limitation. But I learned that to be really creative, you have to set boundaries and limitations, and mine forces me to really dive into a sound I love, and create something beautiful from that. I'm embracing that now, and I'm really happy with how it turns out.


Nagamag:
What does your creative process look like?

Jaap Mol:
I like to do a lot by myself. I'm kind of a control freak, so when I didn't find what I wanted to create elsewhere, I wanted to master the whole process. I compose and produce while writing, just like pop records.
Sometimes I ask other studios for help because they have better equipment, but most parts I record at my own place. I like to do the mixing myself as wel, because a lot of mixing happens during the production.

I like to work with concepts for my music, so that's why I prefer to do al the artwork, photography and video's myself as well. To master all theses parts of the creative process takes a long learning curve, but I like to be curious and just love discovering new things to improve. It's an infinite playground.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Jaap Mol:
Sufjan Stevens "A Little Lost"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Jaap Mol:
Jon Hopkins "Echo Dissolve"

Discover & Listen to Jaap Mol

Jaap Mol on Spotify

Jaap Mol's Signature Track

Jaap Mol on Social Media

Jaap Mol's Website

Kristine Bratlie Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |

.


Nagamag:
What are the genres that describe better your music style?

Kristine Bratlie:
I like to call my music style a cross over between classical piano music, film, musical and jazz. It stretches in multiple directions, often even inside one song.


Nagamag:
Few words about your musical background and career?

Kristine Bratlie:
I am a norwegian classical pianist that developed into a composer, curios about HOW I could reach peoples heart with my music.
My musical education is from academies in Oslo, Norway and Salzburg, Austria (the birthplace of Mozart).
After turning back home, doing concerts and teaching with classical piano literature, I eventually started publishing music, both piano, chamber music and singing.
Now I live in Sweden, in a small town called Aneby.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Kristine Bratlie:
I started to play piano at the age of 9, and had many fine years developing. But what I think gave me that boost, that feeling of joy and meaning was when I began singing (and playing) in a gospel choir at 13. I felt this inspiration from the harmonies, the rhythm, the joy. It became really a manifestation of music in my soul.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Kristine Bratlie:
Tiziano Ferro "Lo Stadio"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Kristine Bratlie:
Ludovico Einaudi "Una Mattina"

Discover & Listen to Kristine Bratlie

Kristine Bratlie on Spotify

Kristine Bratlie's Signature Track

Kristine Bratlie on Social Media

Kristine Bratlie's Website

Stephen Caulfield Interview on Nagamag

Categories: Ambient Features, Ambient Interviews, Features, Interviews, The Latest|Tags: , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Stephen Caulfield:
Ambient, Contemporary Classical, Neo-classical, Dark Ambient, Space Music


Nagamag:
Few words about your musical background and career?

Stephen Caulfield:
I am a musician and composer that has been making music for a long as I can remember. I grew up in a a pretty large musical family with what felt like music all around me. However I've always preferred writing and working on my own and following my own passions. I was always looking for anything I could lay my hands on that made some kind of interesting music or noise which meant that I never became too locked into any particular music style or genre, something that is still reflected in the music that I listen to. Essentially I love music that moves me emotionally in some way whether I am the one making it or not. Over the years I have released 5 albums and worked on 3 film soundtracks.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Stephen Caulfield:
Growing up I remember hearing artists like Queen, ABBA, The Beatles, Blondie and Pink Floyd all through my childhood, in fact sometimes it feels like I have them written into my DNA. This gave me a real appreciation for the power of music to move people emotionally and unite them in a shared experience. It also taught me to follow my own path, success is amazing if it happens, but staying true to your artistic vision will give you creative satisfaction and fulfilment.


Nagamag:
How did your new album come about?

Stephen Caulfield:
My new album, ‘Circuits’ kind of took me by surprise, I wasn't planning on making it and all of a sudden, there it was. I had been working on music for a number of different projects and when I put them together I realised that they worked well together and formed a cohesive album that I really like. On the album I have continued to explore ambient and piano led composition, but I have also introduced some stronger orchestral elements too which I think provide some nice dynamic range over the course of the 15 tracks. As well as the music on Circuits, I have made videos for each track on the album using a series photographs of light manipulations I made that I then animated.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Stephen Caulfield:
The Japanese House "Chewing Cotton Wool"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Stephen Caulfield:
Jóhann Jóhannsson "Flight From The City"

Discover & Listen to Stephen Caulfield

Stephen Caulfield on Spotify

Stephen Caulfield's Signature Track

Stephen Caulfield on Social Media

Stephen Caulfield's Website

Go to Top