Music Genre

Oseas Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , , , |

Oseas
Interview

Nagamag:
Which are the genres that describe your music style better?

Oseas:
psybient, psychill, ambient, chill, relax, trip, psychedelic

Nagamag:
Few words about your musical background and career?

Oseas:
My first approach to music was through school where I received authoritative but basic instruction in music theory. I always liked the guitar and I started with an electric guitar that my father gave me for my 13th birthday.
Rock came first and I started practicing some songs on my guitar. When I was 16, a friend gave me a wooden guitar. And it wasn’t until I was 20 that I went on a trip with a backpack, a guitar, and a small djembe. I didn’t have much money and I met musician friends on the street, with whom we began to practice some cumbia, reggae, and ranchera style songs. These songs were very popular (even people sang along to them) and we played them in the street, I played guitar and sang, and sometimes I also accompanied only with percussion. For being travelers, we made money to have a good time.
Later, when I returned to my University life (I was studying Electrical Civil Engineering at that time) I always tried to be present in the musical instances of the University, I had learned many songs on the guitar and began to instruct myself in Andean music, songs that we often played at the University with a group of friends. When I finished my university degree at 24 years old, I decided to go on a trip before starting the job search as an electrical engineer (I already imagined what could come). So, I went on a trip again with my backpack, and my guitar but now with a quena and not within Chile, I went to the north of Peru towards Ecuador. A lot of things happened on that trip, I grew up. When I was in Ecuador I had a mystical experience. I participated in a Shamanic ceremony with Ayahuasca drinking and on the trip, I listened to my heart thanks to the plant Very simple was what my heart said through the plant. “Your thing is music” while listening to deep melodies and subtle harmonies.
After that experience my life changed. I returned to Chile to reorganize myself, now the plan was to go study musical composition. So I looked for a private teacher and started my theory classes again. Soon I found a job as an engineer and I was able to buy all the musical tools that I have now but unfortunately, the life of an engineer did not fulfill me, I did not have quality of life. So I made a plan to get out of the world of electrical engineering to pursue
completely into the world of music. It was tough financially at first but then I got used to it. With the savings made, I built my music studio and invested in taking music theory and music production classes for over 2 years. After this, I started building my psybient & downtempo project, Oseas in 2017. The name Oseas, comes from Jose Ascui, my name. If you join the words “Jose” and “Ascui”, then you have the result word Joseascui. And then, from the word “Joseascui” you take the letter “J” from the beginning and the syllable “cui” at the end, you just stay with the word “Oseas” (“J” -“Oseas” -“cui”).
Shortly after I funded Oseas, together with a great friend, Nicolás, we founded in the year 2019 a music label based in Chile, Quantum Cell Records.

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Oseas:
My first love connection to music was in Ecuador. Before that, I was only comforting sensations but I couldn’t tell if it was love.
As I mentioned earlier, in Ecuador I took Ayahuasca, an experience that brought me closer to music in a different way. Here is my testimony;
When I was traveling alone in Ecuador 7 years ago I passed through a town on the coast called Canoa. There I stayed at a campsite and was invited by the owner, a
German woman in her 60s, to an ayahuasca drinking ceremony at the campsite next to her. Those who organized the instance had brought to a man recognized in the handling of the ceremony. After turning the invitation over, I decided to accept. Night came and it was time to go to the ceremony. The atmosphere was warm, there were about 20 people of multiple nationalities and the Shaman told us about the dynamics of the matter.
About 40 minutes after taking the ayahuasca concoction I began to have deep visions, something quite psychedelic. I closed my eyes and it was similar to being in a dream and then I suddenly began to hear melodies with timbres similar to a piano. I heard strings rubbed everywhere. I was literally listening to an orchestration but I couldn’t tell where the sound was coming from. What I could see were geometric forms similar to mandalas and the music behind them, more and more complex, deep, and firm, nothing could resist that vibration, it seemed to go through all forms, giving them love. And while I was in the front row of spectators at the most beautiful show of my life, I heard a voice attached to the music in my native language, Spanish. The voice clearly said “Your thing is music” (“Lo tuyo es la música”). At first, I felt a little scared because I didn’t know who was speaking, but then I calmed down because I thought it was the ayahuasca plant that was communicating. And after a while I realized that the plant was not the one that communicated, it only facilitated communication between myself and my heart. I saw it, it was explicit. My heart spoke. I felt love and its link with music. The liana showed me the fruit and I went for it.The next day when the ceremony ended, it seemed that the view was more active. The sea shells on the beach seemed more beautiful to me and their shape was very pleasing
to me. The melodies continued to sound slightly in my head and there I saw myself in a great dilemma. I had no idea how to write all the music I had experienced. I didn’t have the tools to do it and with every hour that passed, I remembered the melodies less. I tried to write a song sung to retain something but every time I played the song, the melodies were different and it got to a point where I practically didn’t remember any of the melodies, I only remembered the pleasant and stimulating sensations of having listened to them. And that’s how my musical path matured and I saw the need to develop my musical language in a conscious way.

Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Oseas:
Kumara Encrypted Stones

Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Oseas:
Eguana Deep Sleep

Discover & Listen to Oseas

Oseas on Spotify

Oseas’ Signature Track

Oseas on Social Media

Facebook: @oseas.chillmusic – www.facebook.com/oseas.chillmusic/

Instagram: @oseas.music – www.instagram.com/oseas.music/

Oseas’ Website: oseas.bandcamp.com/

Lauge Interview on Nagamag

Categories: Ambient Features, Ambient Interviews, Features, Interviews, The Latest|Tags: , , , , , , |

.


Nagamag:
What are the genres that describe better your music style?

Lauge:
Ambient, Neoclassical, Drone, Psybient - All with a northern/wintery focus to them


Nagamag:
Few words about your musical background and career?

Lauge:
With a long history of writing electronic music, Henrik Laugesen better known under the pseudonym “Lauge” or as part of “Lauge & Baba Gnohm” still continues to express himself through deep and melancholic soundscapes ranging from beat-less drones to IDM/Glitch.
With a career spanning over two decades and releases with many major labels, Lauge has established a very firm foot hold within the Ambient genre and has a vast network of industry contacts accross many platforms including some major YT Channels and Playlist curators. Lauge has a lot to offer our artists and is a major asset in helping new releases gain traction.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Lauge:
I remember as a kid listening to CD's from artists like Astral Projection, Jean-Michel Jarre, Shakta and Miranda. The sound that these artists represented back then hit me instantly and I wanted to explore how music like this was created. That eventually led me on the path of music creation and I worked my way through a few genres before landing in the ambient genre.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Lauge:
Astral Projection "Utopia"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Lauge:
Endless Melancholy "Collapse"

Discover & Listen to Lauge

Lauge on Spotify

Lauge's Signature Track

Lauge on Social Media

Lauge's Website

In’R’Voice – Aesthetica (Bandcamp)

Categories: Audio, Post, Psychill|Tags: , , , , |

Russia’s best kept secret of blissful synth magic is called IN’R’VOICE and he’s blessing Cosmicleaf Records with his album. Ambient aficionados will revel in this amazing artists’ cosmos of harmony and vibration. Den Kozlov has been making music since 1992 and is the originator of Synth Aesthetics, a genre that perfectly describes his beat-less works of beauty. In 2015 Den was invited to play at St. Paul’s Cathedral in Moscow, which turned out to be a majestic demonstration of what the new classical music of the future could be. Join this master on his long journey and see where it takes you.

Kyoto – Skywolf (Remastered) (Bandcamp)

Categories: Audio, Post, Psychill|Tags: , , |

Microcosmos Records is happy to present the remastered album Skywolf by Kyoto. Album was written between 2010-2014.

Skywolf tells us a story of the Spirit and totemic relations between humans and wildlife.

Kyoto is Vitalii Zenkov, an electronic sound producer from Russia.
He releases high-quality chillout and trance music for more than 10 years. Kyoto’s sound is closely associated with natural and cosmic vibrations. It inspires deep emotions and brings waves of affirming energy.

A wide range of airy synth pads together with curvy guitar motifs twines into beautiful vortexes of melodic impressions, delivering a pure and relaxed state of mind. Elegant rhythm lines create astonishing visions of nature and space. All this takes the listener to splendid distant realities.

Last but not least, the album includes remix for the Sundial Aeon track.

Enjoy the brilliant renowned sound of Kyoto’s masterpiece.

Zero Cult – Usual Unusual (Bandcamp)

Categories: Audio, Post, Psychill|Tags: , , , , |

The album title says it all, Zero Cult is back with his long anticipating new studio album
While here there are usual forms we all love from his signature style, he does a step further in more unusual synthesis, proving once more his timeless value as producer.
The sound quality here is deep and the listener pleasure endless

Earmake – Beyond Reality EP (Bandcamp)

Categories: Audio, Psychill, The Latest|Tags: , , , |

FLYING HIGH, our consciousness strives beyond reality.

DANCING SHADOWS – This is a part of us that awakens in the rhythm of the music. That which we do not attach importance to during the day, but long for it at night. A considerable number of the same shadows nearby create a world in which we love to immerse ourselves with music. This world is as valuable to each of us as a rare EASTERN TREASURE is valuable.
Mysticism and hypothesis are an integral part of human consciousness. Nowadays, the time of high-profile scientific discoveries about space, one planet in the outer part of the Solar System is still a mystery. Does PLANET NINE exist? and how is it related to Jupiter?
After enjoying the SUNSET DEL MAR, each of us will begin to search for answers at night under a clear starry sky. In complete silence. And only the MOONLIGHT BREEZE will slightly distract attention with its coolness, desperately trying to catch its eye on such a mysterious satellite of the Earth.

Beyond reality is beautiful.

Simon Posford – Flux & Contemplation – Portrait of an Artist in Isolation (Bandcamp)

Categories: Audio, Post, Psychill|Tags: , , , , , |

The master sonic sculptor Simon Posford has crafted one of his most innovative albums in his 30 years of groundbreaking electronic music production: Flux & Contemplation – Portrait of an Artist in Isolation.

Acclaimed worldwide for his boundary-defying collaboration Shpongle and iconic dance project Hallucinogen, Posford has used this global time of isolation to go back to early modes of production. Rather than framing his compositions in restrictively structured arrangements on computer, he mixed loops in real time to spontaneously sculpt tracks that reflected his in-the-moment perspective of being in lockdown. Knowing all the parts that he had in his palette under the faders of his mixing desk, he daily produced new versions of tracks until he had best expressed his personal experience in isolation.

The result is a masterpiece of electronic exploration and extrapolation that is magnetic and hypnotic in nature. From the first note the listener is drawn into this gallery of sonic portraits, with ruminating thoughts in the form of riffs that keep cycling back, sometimes the same, sometimes different. Posford’s spontaneous real-time mixing forges a real-time listening adventure that captures one’s full attention, his live music-making process inviting more than passive listening: this album is an actual lived-in-the-moment musical encounter that transcends the medium of sound.

In a global culture built on distraction, where music has become more and more a commodity barely heard in the background, Posford’s inspired and involved creative process transforms his handiwork into foreground music, his experience breaking free while in isolation providing a parallel experience for listeners.

Embark on a musical journey that is simultaneously introspective and expressive, a timeless statement of a unique time in history that captures both the personal and universal flavours of our extraordinary era, revealing the freedom that can be found exploring from exactly where you are.

Nibana Interview on Nagamag.com

Categories: Features, Interviews, Psychill Features, Psychill Interviews, The Latest, Top Music Discoveries|Tags: , , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Nibana:
There is no "fit all" description as I'm producing quite a lot of diverse genres but most likely chillout and downtempo, some psybient, some bass music and glitch ... I like using the more generic genre electronic or electronica. I've produced some heavy psytrance for a bit, but I didn't stick to it after I released my album.


Nagamag:
Few words about your musical background and career?

Nibana:
I'm quite a newcomer in the electronic music genre even tho I've been producing it for a few years (about 8 now). I was mostly raised on my dad's hard rock playlist, 80s music and then fell in love with the metal scene. I've been a metalhead for most of my music journey, listening to the darker genres of it (hence my . My first approach to electronic music and the genres I produce now has been while playing video games (one of my biggest passion), and later during my first raves in France. I then got frustrated to not be able to tweak what I heard and decided to start my own music project. It then grew to an unexpected size and I've been able to tour all around the world and collaborate with my heroes whom many became my friends.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Nibana:
Honestly my entire childhood was filled with music. Both my parents enjoyed it a lot, despite no being musicians, and I've always been highly emotionally struck from movies' scoring to my parents playlist. I started playing guitar as soon as I could and it led me here. I was never planing to become a full time musician (I'm more of a science guy) but seeing my project get bigger motivated me to quit everything for it.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Nibana:
Départe "Wither"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Nibana:
Solar Fields "The Missing"

Discover & Listen to Nibana

Nibana on Spotify

Nibana's Signature Track

Nibana on Social Media

Load More Posts
Go to Top